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Fine Print Collection New Fine Prints / 2007 Ruth Bernhard Sunday Morning, Chinatown, San Francisco 1956/2006; gelatin silver print, 10 x 10." Edition of 10. Platinum Level Membership: $5,000 [Add to Cart] Celebrated photographer Ruth Bernhard lived in San Francisco from 1953 until her death in December 2006 at the age of 101. A peer to the Bay Area’s photographic modernists Edward Weston, Ansel Adams, and Imogen Cunningham, Bernhard’s work is world-renowned and is found in major national and international museum collections. This limited edition gelatin silver print, made especially for SF Camerawork from a 1956 negative, was one of her last editions. Kota Ezawa Bohemians 2006; from the series The History of Photography Remix; intaglio print, 11.5 x 15." Edition of 20. Patron Level Membership: $1,250 Sold out Kota Ezawa is represented by Haines Gallery, San Francisco; and Murray Guy, New York. He is the recipient of SF MOMA's 2006 SECA Art Award, and his work has been exhibited at the 2006 Whitney Biennial; the 2004 Shanghai Biennial; The Andy Warhol Museum, the Museum of Modern Art, New York; Musée d’Art moderne de la Ville de Paris; and MoCA Miami. David Levinthal Willie Mays 2007; from the series Baseball; archival pigment print, 14 x 11." Edition of 20. Patron Level Membership: $1,250 [Add to Cart] David Levinthal is represented by Paul Morris Gallery, New York; Fay Gold Gallery, Atlanta; and Modernism Gallery, San Francisco. His work is included in the collections of the Museum of Modern Art, New York; Centre Pompidou, Paris; Whitney Museum of American Art, New York; Metropolitan Museum of Art, New York; Los Angeles County Musuem of Art; and others. Debra Bloomfield Squall 2005, from the series Oceanscapes; chromogenic print, 9 x 9." Edition of 15. Benefactor Level Membership: $650 for Squall as a diptych with Camel Collector Level Membership: $350 for Squall only [Add to Cart]   Debra Bloomfield is represented by Robert Koch Gallery, San Francisco. Her work is included in the collections of the Victoria and Albert Museum, London; the Museum of Fine Arts, Boston; the San Francisco Museum of Modern Art; and others. Debra Bloomfield Camel 2005, from the series Oceanscapes; chromogenic print, 9 x 9." Edition of 15. Benefactor Level Membership: $650 for Camel as a diptych with Squall Collector Level Membership: $350 for Camel only [Add to Cart]   Debra Bloomfield is represented by Robert Koch Gallery, San Francisco. Her work is included in the collections of the Victoria and Albert Museum, London; the Museum of Fine Arts, Boston; the San Francisco Museum of Modern Art; and others. Kelli Connell 4th of July 2005; Lambda print, 20 x 26." Edition of 20. Collector Level Membership: $350 Sold out Kelli Connell is represented by Stephen Wirtz Gallery, San Francisco; and Yossi Milo Gallery, New York. Her work is in the collections of The Museum of Fine Arts in Houston; Los Angeles County Museum of Art; Microsoft Corporation; and others. Bill Dane Oakland 2005; chromogenic print, 8 x 12." Edition of 20. Collector Level Membership: $350 [Add to Cart]   Bill Dane is represented by Fraenkel Gallery, San Francisco; and Jack Fischer Gallery, San Francisco. His work is in the collections of the Museum of Modern Art, New York; Art Institute of Chicago; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; and others. Monica Denevan Braiding, Burma 2006; from the series Songs of the River: Portraits from Burma; selenium toned gelatin silver print, 10 x 10." Edition of 20. Collector Level Membership: $350 Sold out   Monica Denevan is represented in the U.S. by Scott Nichols Gallery, San Francisco; and White Room Gallery, Los Angeles. Her work has recently been exhibited in Hong Kong, New York, and Denver. Michael Rauner Labyrinth, Sibley Regional Volcanic Preserve 2005; from the series The Visionary State; archival pigment print on 100% cotton rag Hahnemuhle paper, 10 x 18." Edition of 20. Collector Level Membership: $350 [Add to Cart]   Michael Rauner is represented by Scott Nichols Gallery, San Francisco. Rauner’s photographs have recently been published by Chronicle Books in The Visionary State: A Journey through California’s Spiritual Landscape. His work is held in several public collections, including the San Francisco Museum of Modern Art. Tim Sullivan Dutch Boy (Still Life) 2006; chromogenic print, 14 x 11." Edition of 20. Collector Level Membership: $350 [Add to Cart]   Tim Sullivan is represented by Lisa Dent Gallery, San Francisco. He is a First Prize Winner of the Texas Photographic Society National Juried Competition, and his work has recently been exhibited in Poland and San Francisco. Hank Willis Thomas Petey Wheatstraw: The Devil's Son in Law 2001/2005; from the series Unbranded: Altoids; lightjet print, 9.5 x 10.25." Edition of 10. Collector Level Membership: $350 Sold out     Hank Willis Thomas is represented by Lisa Dent Gallery, San Francisco; Charles Guice Contemporary, Berkeley; and Jack Shainman Gallery, New York. His work is in the collections of the Museum of Contemporary Art, Miami; International Center of Photography, New York; The Studio Museum in Harlem, New York; and others. Other Fine Prints Available: Caitlin Atkinson Confirmation 2006; chromogenic print, 14 x 11." Edition of 20. Collector Level Membership: $350 [Add to Cart]   A graduate of the California College of the Arts, Caitlin Atkinson is the winner of the 2003 James D. Phelan Art Award in Photography. Her work has been exhibited nationally and she is represented by Foley Gallery, New York. Kimberly Austin Adam and Edna / Four Documents 2004; Van Dyke print, 11.25 x 11.25." Edition of 30. Collector Level Membership: $350 [Add to Cart] Bay Area native Kimberly Austin's project Adam & Edna is a visual study of her grandparents' complicated and often troubled relationship from the 1930s to the 1950s. Austin employs found images, correspondences and random ephemera that she transfers to film and develops by hand, before collaging the new imagery using the antiquarian Van Dyke process. With this intimate look at a nontraditional family, Austin contrasts the written word against the idealized portrait and investigates the possibility that “what society holds dear as natural behavior is more relative to time, place, and personal experience than to biology and contemporary codes of morality.” Austin’s work has been shown in several solo exhibitions worldwide and is included in numerous public and private collections. Most recently Austin was named winner of the 2003/2004 James D. Phelan Art Award in Photography. She is represented by Braunstein/Quay Gallery in San Francisco. Jim Campbell Untitled 2005; light box with duratrans, 24 x 36 x 3.” Edition of 5. Platinum Level Membership: $5,000 Sold out Jim Campell has created this remarkable electronic light box in a limited edition of 5 exclusively for Camerawork’s Platinum members. This piece continues in the direction of his recent work, which looks at the limits of perception by overlaying many images from the same event on top of each other. These digital multiple exposures are created using custom software to average 10 - 30 different digital images into one single image. The result is a light box in which the each individual image is obliterated, leaving only a collage of details for deciphering. As an engineer with degrees from MIT, Campbell holds nearly 20 patents in the field of video image processing which have helped him set the standard for new media art internationally. His work has been exhibited at major museums worldwide, including the prestigious Whitney Biennial in 2002. It is included in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, SF MOMA, the University Art Museum at Berkeley, the Intercommunication Center in Tokyo and numerous others. Jim Campbell lives in San Francisco and is represented by Hosfelt Gallery. Mark Citret Pumpkins, House in Forez, France 2000; gelatin silver print, 8 x 10." Edition of 30. Collector Level Membership: $350 [Add to Cart]  Mark Citret assisted Ansel Adams for several years both in the darkroom and out in the field. Adams’ influence can be seen throughout Citret’s work in the high quality of his prints and his overall attention to detail. Citret is a commercial photographer specializing in architecture. However, the major portion of his more personal work concerns the landscape. Citret has been in numerous group and solo exhibitions and he teaches landscape workshops through the year at UC Berkeley and the UC Santa Cruz Extension, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops. His work is represented by prominent photography galleries in the United States, and is in many museum, corporate, and private collections, including SF MOMA, LACMA, the New Orleans Museum of Art, the Santa Barbara Museum of Art, the University of Arizona’s Center for Creative Photography, and the Monterey Museum of Art. Mark Citret is represented by Michael Shapiro Gallery, San Francisco. Robert Flynt Untitled 2000; chromogenic print, 8 x 5." Edition of 35. Collector Level Membership: $350 [Add to Cart]  Robert Flynt explores the malleable nature of photography. His images combine two photographs, one a figure photographed (usually underwater) by Flynt, and the other a found 19th century photograph, creating a new meaning in the juxtaposition. In his pairing of disparate images, he forges unexpected relationships and inferences between the subjects. His sensual imagery of past and present is a haunting meditation on the passing of time and the personal associations inspired by the photographic image. A graduate of Tyler School of Art in Philadelphia, Flynt is represented by Vance Martin Photography & Fine Art, San Francisco. Jona Frank Angela, Candy Raver, CA 1999; chromogenic print, 18 x 15." Edition of 30. Collector Level Membership: $350 [Add to Cart] For nearly a decade, Jona Frank has examined adolescence and the artifice of social hierarchies in schools. Her photographs evoke a sense of the familiar, connecting the viewer with the universal high school experience, while evincing the fresh individuality of contemporary youth culture. For this series, Frank spent three years visiting schools across the country in an extensive look at the cliques and stereotypes that pervade our formative years, photographing hundreds of students, outside of their specific social groups. The end result is a series of 42 portraits, one of which Frank has editioned for Camerawork. Work from the "High School" series was recently acquired by the San Francisco Museum of Modern Art. Frank's documentary films have been shown nationally, from Sundance to PBS affiliates. She is the recipient of a prestigious fellowship in conjunction with her inclusion in Bay Area Now III, at the Yerba Buena Center for the Arts. Matthias Geiger Voyage 2001; chromogenic print, 16 x 20." Edition of 20. Collector Level Membership: $350 [Add to Cart] Educated in Germany and New York, Matthias Geiger’s work has been exhibited internationally. He is Assistant Professor of Photography at the University of California in Davis. Doug Hall Teatro Municipale, Piacenza 2002/2005; chromogenic development print, 24 x 38." Edition of 25. Patron Level Membership: $1,250  Sold out Doug Hall has made this stunning image in a limited edition uniquely for Camerawork’s Patron members. It is part of his acclaimed series of photographs of the opulent 18th and 19th century European opera houses. These concert halls were ornate aesthetic palaces in which social classes, newly arisen to wealth, could participate in the lavish cultural pageants that were previously available only to the aristocracy. Doug Hall’s large-format photography has been exhibited worldwide, including at the 2002 Bienal de São Paulo. He is represented in numerous public collections including: The Museum of Modern Art, New York; Whitney Museum of American Art; Museum of Contemporary Art, Chicago; SF MOMA; Centre George Pompidou, Paris; Kunsthaus, Zürich; The Berlinische Galerie, Berlin; and Museum für Moderne Kunst, Vienna. He is represented by Rena Bransten Gallery, San Francisco; Feigen Contemporary, New York; and Galerie Kapinos, Berlin, Germany. Greg Halpern Untitled 2005; from the Buffalo Series 2003-2005; chromogenic print, 16 x 20." Edition of 20. Collector Level Membership: $350 Sold out  Greg Halpern received the John Gutmann Photography Fellowship as well as the Aaron Siskind Foundation Individual Photographer's Fellowship award in 2005. His first book, Harvard Works Because We Do, was published in 2003. Anthony Hooker Room With Rear Window 2000; chromogenic print, 19 x 15." Edition of 35. Collector Level Membership: $350 [Add to Cart]  Anthony Hooker's work is strongly based in photography, but it frequently includes other media such as music, video, and installation motifs. His subject matter generally incorporates a social theme frequently asking the viewer to reexamine popular ethical or moral principles. In The Greater Good series, Hooker revisits the enticement of African American males in Tuskegee, Alabama, into a study of syphilis. As images of untreated patients are overlapped with those of the medical facility in which the now-questionable study was conducted, Hooker interrogates the claim made by the United States Public Health Service, in 1932, that the suffering of a few hundred men (at least 15% of which died) was for "the greater good" of Americans. Hooker received an M.F.A. in photography from the San Francisco Art Institute and his work is included in several collections, including the San Francisco Museum of Modern Art. Rolfe Horn Cloud, Lake Tahoe, California 2001; sepia and selenium toned gelatin silver print, 7.75 x 8." Edition of 45. Collector Level Membership: $350 [Add to Cart] Rolfe Horn's photographs could be described as landscapes, yet the artist pushes this genre with an interpretive style that verges on Surrealism. His unique photos combine an imaginative eye with highly skilled darkroom technique. Using long exposures, selective cropping, and complex printing and toning processes, Horn's use of light, form, and time give his photographs a playful conceptual depth. Horn was born in Walnut Creek, California, and received his BFA from the Brooks Institute of Photography. He has worked with many important photographers, including Nick Dekker, Mark Citret, and Michael Kenna. His work has shown throughout the country and is in several collections. He is represented by Scott Nichols Gallery, San Francisco. Chris Jordan Bathtub 2006; from the series In Katrina’s Wake; Portraits of Loss from an Unnatural Disaster, Epson Ultrachrome pigmented inkjet print, 14 x 17." Edition of 20. Patron Level Membership: $1,250 [Add to Cart] A 2005 Finalist for the Santa Fe Prize for Photography, Chris Jordan’s first monograph: In Katrina’s Wake; Portraits of Loss from an Unnatural Disaster, is published by Princeton Architectural Press in fall 2006. He is represented by Paul Kopeikin Gallery, Los Angeles. Michael Light Downtown Los Angeles, from LA 02.12.04 2004; pigment print, 20 x 24.” Edition of 20. Patron Level Membership: $1,250 [Add to Cart]   Michael Light is offering this extraordinary 20 x 24” print in a limited edition especially for Camerawork’s Patron members. The image is also the cover of Light’s latest 36 x 44” handmade book produced in an edition of 8, titled LA 02.12.04, which was acquired by the Getty and the UCLA rare book collection. This image is a direct view of downtown LA, and is part of Light’s most recent aerial photographic work, which examines both the larger geological spaces and fast-paced urban growth of the arid American West. Light is a San Francisco-based photographer focused on the environment and how contemporary American culture relates to it. His work is concerned both with the politics of that relationship and the seductions of landscape representation. Light’s work has been exhibited nationally and internationally, published globally, and collected by the Los Angeles County Museum of Art, SF MOMA, The Getty Research Library, The New York Public Library, the Victoria & Albert Museum in London, among others. Light is represented by Hosfelt Gallery, San Francisco and Frehrking + Wiesehofer Gallery, Cologne. Chris McCaw Hope, The Powerhouse, Portland, Oregon 1997; platinum/ palladium print, 5 x 12." Edition of 40. Collector Level Membership: $350 [Add to Cart]   Chris McCaw utilizes the most venerable of photographic processes to record evidence of everyday life. His photographs are made with a homemade 7 x 17" view camera and contact printed on hand coated platinum/palladium paper. The optics of the large format camera and the subtleties of the platinum process yield images of extraordinary depth and detail. Here, in an eccentric domestic interior, he transforms a well-used space into an absorbing visual spectacle. Chris McCaw is a Bay Area photographer and printer, working independently. Sean McFarland Untitled 2004; chromogenic print, 15 x 15." Edition of 25. Collector Level Membership: $350 [Add to Cart] Recipient of the 2005 James D. Phelan Art Award in Photography, Sean McFarland’s work has been exhibited nationally. He teaches at the California College of the Arts in San Francisco and is represented by Jack Hanley Gallery, San Francisco & Los Angeles. Andrea Modica F21: male, 37 yrs old, Colorado Springs, CO 2001; gelatin silver print, 8 x 11." Edition of 30. Collector Level Membership: $350 [Add to Cart]  Andrea Modica's recent skull series was a result of a study (conducted by the Department of Anthropology of Colorado College, Colorado Springs) on a group of over one hundred skeletons secretly buried a century ago and discovered, in 1993, by prison inmates who were breaking ground to build the extension of an asylum for the criminally insane. Modica received her M.F.A. in Photography from Yale,in 1985, and has since had nearly two-dozen significant solo exhibitions at galleries and university art museums throughout the country, in addition to numerous the matic group exhibitions at the Museum ofPhotographic Arts, in San Diego, the International Center for Photography, in New York, SF MOMA, the National Gallery of Canada, the National Museum of Women in the Arts and Corcoran Gallery, both in Washington, D.C., and elsewhere. Her work is included in numerous museum collections, including those of the Metropolitan Museum of Art, the MOMA, Whitney, SF MOMA, Smithsonian, ICP, George Eastman House, and others. Modica has been the recipient of several prestigious grants, from the Guggenheim Foundation, New York Foundation for the Arts, Aaron Siskind Foundation, Light Work, and others. Andrea Modica is represented by Edwynn Houk Gallery, New York. Apollonia Morrill Castro Theatre, San Francisco, CA 2004; c-print, 11 x 14.” Edition of 25. Collector Level Membership: $350   [Add to Cart]  As part of her recent series on San Francisco's Castro Theatre, Apollonia Morrill photographed the interior of this iconic movie theater during closed hours. Pictures such as this detail of the curtain and stage convey an intimate visual experience of the space and record the forms, colors, and textures that are unique to the theater. The Castro Theater project is one of Morrill's photographic site studies focusing on spaces of transition and historic places in flux. A San Francisco native, Morrill's work is included in many private collections and has been widely exhibited, including at the highly esteemed Bay Area Now 4 exhibition at Yerba Buena Center for the Arts in San Francisco. A. Leo Nash Dominoes 2004; giclee print on paper, 16 x 2." Collector Level Membership: $350 [Add to Cart]   For the past twelve years, A. Leo Nash has been photographing a wide array of alternative gatherings and celebrations around the United States. The largest, The Burning Man Festival, has attracted worldwide media attention that often shows the most sensationalistic side of that event. This image is part of Nash’s series of photographs of the Burning Man Festival and other temporary villages, which he calls Temporary Autonomous Zones. Nash’s work has been exhibited nationally and internationally at venues such as Prague House of Photography; Prague; Woodstock Center for Photography, Woodstock, New York; Houston Center for Photography; and the Oakland Museum. It is in numerous public collections, including the Philadelphia Museum of Art, Rochester Institute of Technology, and the San Francisco Art Institute. J. John Priola Boy 1995; from the series Saved; gelatin silver print, 9.375 x 7.25." Edition of 25. Collector Level Membership: $350 [Add to Cart]  J. John Priola’s exquisite prints exemplify the best aspects of a black and white image: velvety blacks and crisp defined tones. In his popular series Saved, Priola turns his camera on objects that were discarded from estate sales and he elevates these throughways to the perfection of a glorified memory. His work has been shown in major exhibitions throughout the world, including "La Natura Della Natura Morta" at Galleria D'art Moderna, Bologna; "In A Different Light" at University Art Museum, Berkeley; and "Prospect '96" at the Schirn Kunsthalle, Frankfurt, Germany. His work is included in many private, corporate and Museum collections, including the Metropolitan Museum of Art, New York; SF MOMA; Philadelphia Museum of Art; Los Angeles County Museum of Art; and the Art Institute of Chicago. In 1998, a monograph was published on three bodies of his work. He lives and works in the San Francisco Bay Area, and is represented by Gallery Paule Anglim, San Francisco; Weston Gallery, Carmel; and Schneider Gallery, Chicago. David Puntel #100, 4/18/03 2003; ambrotype, 3.25 x 2.75." Edition of 26 unique images. Each image is floating in a recessed mat, 12 x 9" gunmetal frame. Benefactor Level Membership: $650 [Add to Cart] Seeking to stress the often overlooked individuality of a moment or an object, David Puntel utilizes the 19th century process of wet-plate collodion to create images on glass. In this process a glass plate iscoated with various solutions, exposed in camera, and developed before it dries. The resulting negative-less ambrotypes are all unique images. The plates in this series were each exposed on April 18, 2003, for approximately 20 seconds between the hours of 9:45 am and 1:53 pm; they are numbered in chronological order. David Puntel is represented by Debra Heimerdinger/Fine Art Photographs in San Francisco. Jenny Rosenberg Meat Boy Goes Stag 2004; chromogenic print, 14 x 11." Edition of 30. Collector Level Membership: $350 [Add to Cart]  In her ongoing Meat Boy series, artist Jenny Rosenberg creates tableaus of milestones familiar to a typical American middle class boy’s life. Previous images in Meat Boy’s fictional chronology have included him as a newborn, a child soccer player and as an awkward, acne suffering teen. In his newest incarnation, we find that, sadly, Meat Boy has attended his high school prom alone. Pushing these imaginary scenes to an almost absurd level, Rosenberg’s Meat Boy not only blurs the line between sculpture, performance and photography but also, for the artist, borders on an all-consuming maternal obsession. Rosenberg admits to worrying about the fate of her creation as it endures a brutal cycle of freezing and thawing for each new photograph, yet views Meat Boy’s inevitable demise as a good thing because, as she writes in her artist statement, “sooner or later all parents have to let go.” Rosenberg received her MFA in Photography from the California College of Arts and Crafts and has exhibited extensively in the Bay Area. Phillip Scholz Rittermann Trapezoid Rock, Yosemite, California 1989; gelatin silver print, 11 x 14." Edition of 25. Collector Level Membership: $350 [Add to Cart]    In his photographic exploration of the wilderness, Phillip Scholz Rittermann finds sites that are both pristine and debased. At the root of his imagery is a concern about humanity's relationship to the natural world. Where once humanity protected itself from the wilderness, we now protect the wilderness from humanity. Much of the natural world has not fared will under man's stewardship. Rittermann's work is included in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and many others. He is represented by Thomas V. Meyer, San Francisco. Gerald Slota Gingerbread House In Woods 2002; gelatin silver print, 10 x 8." Edition of 30 unique prints. Collector Level Membership: $350 [Add to Cart] Gerald Slota manipulates his photographs by marring the negative or the actual print with punctured holes, scratches, cryptic drawings made of chalk or pencil, cut edges, and other mark-making techniques. Slota's mixed-media works evince the obsessive, shocking, and chaotic beneath the surface of societal orderliness. This image was commissioned specially for Camerawork. While each image has roughly the same form and content, a flashlight used during exposure renders each a unique print. Called "enigmatic and disturbing" by the New Yorker, his work has been exhibited internationally and is in several collections, including the Princeton University Art Museum, the LA County Museum of Art, and the Polaroid Corporation. Slota is represented by Ricco/Maresca Gallery, New York. Tracey Snelling Watching 2004; chromogenic print, 11 x 14." Edition of 25. Collector Level Membership: $350 [Add to Cart] Influenced by film, landscape, books, and architecture, Tracey Snelling creates sculptures, photographs, and installations of structures. Snelling’s work constantly turns in on itself: a photograph of a building can lead to a sculpture of that building, which in turn, is photographed once again. Scale continually grows and shrinks in the work, as is evident in Watching, the image offered as part of Camerawork’s Fine Print Collection. In this photograph of her mixed media video sculpture, a video of the room plays on the small TV, echoing the scene and posing the question: What is real and what is not? Snelling’s work has been exhibited extensively and is held by numerous public and private collections, including the Museum of Fine Arts, Houston; de Saisset Museum, Santa Clara, CA; the Microsoft Collection, Redmond, WA; and the Progressive Collection, Cleveland, OH. Snelling is represented by the Stephen Cohen Gallery in Los Angeles, Brown Bag Contemporary in San Francisco, and Osborne Samuel in London. Arne Svenson Sock Monkey #48 2002; gelatin silver print, 14 x 11." Edition of 30. Collector Level Membership: $350 [Add to Cart]  Arne Svenson’s series Sock Monkeys came about after meeting collector Ron Warren and learning of his collection of over 1,800 sock monkeys. Fascinated by the scope of the archive and the individuality of each monkey, Svenson offered to photograph each specimen using traditional studio portraiture techniques. This approach allows for the possibility of revealing the imbued personality of each sock monkey while simultaneously underscoring the role of photography as an archival tool. Playful in nature, this series also reveals the thread of obsessive curiosity that runs throughout Svenson’s oeuvre. A collection of this series was published in 2002 by Greybull Press/Ideal World Books, New York. Arne Svenson’s work has been exhibited widely throughout the world and is included in a number of private and public collections. He is represented by Julie Saul Gallery, New York. David Wolf Untitled 1995; from the series Transform/Transcend, sepia-toned gelatin silver print, 14 x 11." Edition of 25. Collector Level Membership: $350 [Add to Cart]  Rooted in shadow and shaped by light, David Wolf's mysterious photographs of buildings explore a reality beyond material fact. The series Transform/Transcend presents visual metaphors for personal transformation through blurred and shaking structures which defy stasis and perpetuity. They are images of matter becoming spirit, evoking a world beyond the expected and freeing us from the visual reality which we are accustomed to.   Fine Print Collection as a Membership Benefit Platinum ($5,000+): Choose a limited edition print by Ruth Bernhard or a limited edition light box by Jim Campbell Patron ($1,250+): Choose 4 fine prints or 1 Kota Ezawa or 1 David Levinthal or 1 Chris Jordan or 1 Doug Hall or 1 Michael Light Benefactor ($650): Choose 2 fine prints or the Debra Bloomfield diptych or 1 David Puntel ambrotype Collector ($350): Choose 1 fine print     Tax Information: San Francisco Camerawork is a nonprofit 501(c)3 California Corporation. In accordance with IRS regulations the tax-deductible portion of membership fees are as follows: Subscriber Member: $27; Household: $62; Sponsor: $112; Collector: $287; Benefactor: $547; Patron: $1,127 with David Levinthal or Kota Ezawa print or $1,067 with four prints; Platinum: $4,377.   home | about | exhibitions | bookstore | events | membership | journal | mentoring | links Copyright 2007. SF Camerawork. All Rights Reserved.